Ed Ruscha: Psycho Spaghetti Westerns
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Ed Ruscha: Psycho Spaghetti Westerns

Ed Ruscha: Psycho Spaghetti Westerns

$28.00

Original: $80.00

-65%
Ed Ruscha: Psycho Spaghetti Westerns

$80.00

$28.00

The Story

This book was published on the occasion of the exhibition Ed Ruscha: Psycho Spaghetti Westerns at Gagosian, Beverly Hills. Created on canvases with a wide, horizontal format that suggest movie screens, the ten paintings in the show include meticulously developed representations of trash and detritus, either horizontally aligned with the picture plane or placed along steep diagonal groundlines. The decaying furniture, mattresses, tires, construction debris, cardboard boxes, and incidental trash dumped or precariously piled up in these paintings speak to themes of entropic decay and the wastefulness of throwaway culture. Fully illustrated with color plates and installation photography, the catalogue includes an essay by Russell Ferguson that introduces and contextualizes the series.

Ed Ruscha: Psycho Spaghetti Westerns - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Ed Ruscha: Psycho Spaghetti Westerns - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Ed Ruscha: Psycho Spaghetti Westerns - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Ed Ruscha: Psycho Spaghetti Westerns - Image 5

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

This book was published on the occasion of the exhibition Ed Ruscha: Psycho Spaghetti Westerns at Gagosian, Beverly Hills. Created on canvases with a wide, horizontal format that suggest movie screens, the ten paintings in the show include meticulously developed representations of trash and detritus, either horizontally aligned with the picture plane or placed along steep diagonal groundlines. The decaying furniture, mattresses, tires, construction debris, cardboard boxes, and incidental trash dumped or precariously piled up in these paintings speak to themes of entropic decay and the wastefulness of throwaway culture. Fully illustrated with color plates and installation photography, the catalogue includes an essay by Russell Ferguson that introduces and contextualizes the series.