Ed Ruscha: Thirtyfour Parking Lots in Los Angeles
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Ed Ruscha: Thirtyfour Parking Lots in Los Angeles

Ed Ruscha: Thirtyfour Parking Lots in Los Angeles

$350.00

Original: $1,000.00

-65%
Ed Ruscha: Thirtyfour Parking Lots in Los Angeles

$1,000.00

$350.00

The Story

One of Ed Ruscha’s classic artist’s books, this volume features aerial photographs of empty parking lots in Los Angeles with captions indicating each location, including Dodger Stadium, Gilmore Drive-In Theatre, Century City, and Universal Studios. The photographs were taken by Art Alanis with direction by the artist from a helicopter that Ruscha hired for the shoot. These facilities are depicted both as abstract geometric compositions and as liminal sites that bespeak and punctuate a rapidly developing cityscape. First published by the artist in 1967, this edition of Thirtyfour Parking Lots in Los Angeles is in a slightly larger format than other of his best-known artist’s books such as Every Building on the Sunset Strip (1966), a change made in order to better accommodate the images.

Ed Ruscha: Thirtyfour Parking Lots in Los Angeles - Image 2

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Ed Ruscha: Thirtyfour Parking Lots in Los Angeles - Image 3

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Ed Ruscha: Thirtyfour Parking Lots in Los Angeles - Image 4

Details & Craftsmanship

Every detail has been carefully considered to bring you the perfect product.

Description

One of Ed Ruscha’s classic artist’s books, this volume features aerial photographs of empty parking lots in Los Angeles with captions indicating each location, including Dodger Stadium, Gilmore Drive-In Theatre, Century City, and Universal Studios. The photographs were taken by Art Alanis with direction by the artist from a helicopter that Ruscha hired for the shoot. These facilities are depicted both as abstract geometric compositions and as liminal sites that bespeak and punctuate a rapidly developing cityscape. First published by the artist in 1967, this edition of Thirtyfour Parking Lots in Los Angeles is in a slightly larger format than other of his best-known artist’s books such as Every Building on the Sunset Strip (1966), a change made in order to better accommodate the images.